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EVIDENCE 6:<br/>CCTV VIDEO 2 FR0M 13:55 TO 16:02 LOCAL TIME WAS REDUCED IN FRAME DIMENSIONS TO 960x576 PIXELS<br/><br/>Muhammad Nuh Al-Azhar deliberately performed downscaling on CCTV 2 footage from 13:55 to 16:02 local time, reducing the frame dimensions to 960 x 576px. According to question 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920 x 1080 px.<br/><br/>Analysis<br/>Muhammad Nuh Al-Azhar's deliberate downscaling of CCTV 2 footage from 13:55 to 16:02 local time had significant forensic implications. By reducing the frame dimensions to 960 x 576px, crucial details that could have been captured in the original high-resolution footage were obscured. This intentional manipulation raises questions about the integrity of the evidence presented in court and suggests potential ulterior motives behind altering the footage.<br/><br/>The original CCTV 2 footage should have captured remnants of the coffee consumed by Mirna Salihin, which was brought from table 54 by eyewitness Devi Siagian. However, by downscaling the footage, Muhammad Nuh Al-Azhar effectively hindered any analysis of the coffee residue, making it difficult to determine its composition or any potential contaminants, such as cyanide. This manipulation undermines the ability to gather critical evidence related to the case and could potentially impact the accuracy of forensic analyses.<br/><br/>The impact of downscaling on CCTV footage, particularly in cases involving suspected poisoning with substances like cyanide, is crucial for forensic pathologists in several ways. Firstly, downscaling can significantly degrade the quality and clarity of the footage, making it more challenging for pathologists to observe subtle details and nuances in the subject's behavior and physical condition. This reduction in visual fidelity may hinder the accurate identification and interpretation of specific symptoms or reactions exhibited by the individual after consuming the alleged poisoned substance.<br/><br/>Secondly, downscaling may obscure important visual cues that could provide valuable insights into the individual's physiological responses to cyanide poisoning. For example, changes in facial expression, skin tone, or bodily movements that typically accompany cyanide exposure may be less discernible or entirely lost due to the diminished resolution and frame rate of the footage. As a result, pathologists may struggle to assess the severity of the victim's condition or determine the presence of characteristic symptoms associated with cyanide poisoning, such as respiratory distress, convulsions, or loss of consciousness.<br/><br/>Moreover, the distortion or loss of critical visual information resulting from downscaling could impede the accurate reconstruction of events leading up to and following the alleged poisoning incident. Pathologists rely on comprehensive and unaltered video footage to establish timelines, identify potential sources of contamination, and correlate observed
⏲ 9:18 ✓ 15-Apr-2024
Television superstar Kapil Sharma reached Mata Vaishno Devi temple on Monday to seek blessings during the auspicious Navratri. This video of Kapil has recently surfaced, which is also going viral on social media.<br/><br/>#thekapilsharmashow #kapilsharma #matavaishnodevi #vaishnodevitemple #viralvideo #trending #entertainmentnews #bollywoodnews #celebupdate
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Pushpa 2 The Rule Teaser on Mythri Movie Makers. <br/><br/>Pushpa 2 - The Rule - Written and Directed by Sukumar. Produced by Naveen Yerneni and Y. Ravi Shankar of Mythri Movie Makers in association with Sukumar Writings,the film stars Allu Arjun, Fahadh Faasil, Rashmika Mandanna, Dhanunjay, Rao Ramesh, Sunil, Anasuya Bharadwaj & Ajay Ghosh. The film's music is composed by Devi Sri Prasad.<br/><br/>Wishing our Pushpa Raj aka Icon stAAr Allu Arjun a very Happy Birthday#HappyBirthdayAlluArjun <br/><br/>Fanizm Coming Soon: http://fanizm.com/<br/><br/>#Pushpa2TheRule #AlluArjun #PushpaMassJathara #Sukumar #RashmikaMandanna #FahadhFaasil #DSP #MythriMovieMakers #Pushpa2 #PushpaTheRule #Pushpa #Pushpa2Teaser #Pushpa2Trailer #Pushpa2TheRuleGlimpse <br/><br/>Technical Team:<br/><br/>Story- Screenplay-Direction Sukumar Bandreddi<br/><br/>Producers: Naveen Yerneni, Ravi Shankar Yalamanchili <br/><br/>CEO: Cherry<br/><br/>Music: Devi Sri Prasad<br/><br/>Cinematographer: Miresłow Kuba Brożek<br/><br/>Production Designer: S. Ramakrishna - Monica Nigotre<br/><br/>Lyricist: Chandra Bose<br/><br/>VFX Supervisor : Kamala Kannan<br/> <br/>Editors : Ruben - Karthika Srinivas<br/> <br/>Costume Designers : Deepali Noor - Sheetal Sharma<br/><br/>Fights : Peter Hein, Kecha Kamphakdee,<br/> ”Dragon” Prakash , Nabakanta<br/><br/>Choreographers: Prem Rakshith, Ganesh Acharya, Vijay Polaki, Shrashti Verma<br/><br/>Character Designer : Preeti Sheel singh <br/><br/>CFO: Ch Nagabhushanam<br/><br/>Executive Producer: Baba Sai Kumar Mamidipalli<br/><br/>Chief Executive Producer: KVV Bala Subramaniam<br/><br/>Co Director : Vishnu<br/><br/>Banners: Mythri Movie Makers in Association with Sukumar Writings<br/><br/>PRO: Eluru Srinu, Maduri Madhu<br/><br/>Marketing - First Show Online Services Pvt Ltd <br/><br/>Publicity : Max Media <br/><br/>Branding : K R Siddharth<br/><br/>Mix Engineer - Bipin<br/><br/>DI & Sound Mixing : Annapurna Studios<br/><br/>Sound Design: Resul pookutty and Vijay Kumar<br/><br/>Visual Promotions - Ruben Trailer House<br/><br/>Visual Promotion Team -Meganathan,Newton Prabhu,Yogi D.F.Tech,Vensan W,Dinesh<br/><br/>MUSIC CREDITS<br/> <br/>Keyboards: Vikas Badisa,<br/>Chinna,<br/>Ravi Krishnan &<br/>Rajesh<br/>Rhythm: Kalyan &<br/>PA Suntaaram<br/>Nadaswaram: Balasubramanian<br/>Chorus: Shenbagaraj, Aravind, Govind Vasanth Sarath Santhosh, Deepti, Aparna, Abhinaya & Padmaha Srinivasan.<br/> <br/>Promo Mixed & Mastered by A. Uday Kumar @ \
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Sita Devi Maharani of Baroda, born in 1917, was a member of the royal family of Baroda. She was renowned for her impeccable sense of style and was often referred to as one of the best-dressed women in the world. Sita Devi was not only a fashion icon but also a trailblazer in the realm of philanthropy, dedicating herself to various charitable causes throughout her life.<br/><br/>Sita Devi was the sole child of the Maharaja of Pithapuram and Sri Rani Chinnamamba Devi and was born in 1917. Pithapuram was a significant principality at the time in the Madras Presidency. Sita Devi married Mekka Appa Rao Vuyyuru’s affluent Zamindar, who possessed considerable amounts of land. They were parents to a boy. She was the Princess Consort of Vuyyuru from 1935-1943.<br/><br/>She met the last ruling king of Gaekwad in a horse race and after being married to Mekka Appa Rao for 8 years she decided to wed the last king of Gaekwad, Pratap Singh.<br/><br/>They were unable to solemnise their marriage because Sita Devi was already married. Therefore, Sita Devi had to first convert to Islam, end her current marriage, then return to Hinduism before marrying the Maharaja, according to the law. She became the Maharani Sita Devi of Baroda in 1946 after they acted on this advise.<br/><br/>Sita Devi passed away at the age of 71 due to natural causes inscribing her name in history as the princess who broke all the boundaries for love.<br/><br/>Fashion Icon: Princess Sita Devi was a trendsetter in the world of fashion, known for her impeccable taste and extravagant wardrobe.<br/>Philanthropy: Despite her lavish lifestyle, Princess Sita Devi was also involved in various charitable activities, supporting causes such as education and healthcare.<br/>Controversies: The Maharani was embroiled in several controversies, including her divorce from the Maharaja of Baroda and legal battles over her inheritance.<br/>Legacy: Princess Sita Devi's legacy continues to inspire many, with her iconic style and philanthropic efforts remembered to this day.<br/><br/>#SitaDeviOfBaroda #PrincessSitaDevi #MaharaniOfBaroda #IndianRoyalty #FashionIcon #History #Legacy #Royalty #Fashion #IndianHistory #Philanthropy #Baroda #StyleIcon #Culture #Royalty #Inspiration #chennai #india #paris
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