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_twenty-four-hours-from-tulse-hill-by-guy-meredith-and-zalie-burrow-bbc-radio-drama.webp "Twenty Four Hours From Tulse Hill by Guy Meredith and Zalie Burrow was broadcast in 2018. Story: A romantic comedy set in an estate agent in North London. Would-be writer Mark and artist Lisa work alongside each other, but both are yearning for a more rewarding life. Their boss comes up with an exciting challenge that could earn them a lot of money and increase their chances of leaving, but it is conditional on making one big sale. Their prospective client seems wealthy enough and all seems to go well - but a hitch sees their dream fading. Cast: Mark - John Heffernan Lisa - Catriona Stewart Myles - Nicholas Le Prevost Bartleman - Philip Jackson Nic - Ricky Norwood Selena - Rachel Atkins Director - Cherry Cookson<br/><br/>Do you enjoy the variety on Oldtuberadio?<br/>Like, Share and Subscribe to be notified of our new shows<br/>#radio #crime #thriller #drama<br/>To Support this channel please visit<br/>https://www.buymeacoffee.com/oldtuberadio<br/>https://ko-fi.com/oldtuberadio98<br/>https://www.patreon.com/oldtuberadio<br/>https://locals.com/Oldtuberadio")
_round-the-decay-teaser.webp "A teaser for the upcoming Dreamscape Productions film ROUND THE DECAY.<br/><br/>An innkeeper, a hiker, a housekeeper, a mysterious man, & a woman reckoning with her past, unleash an ancient evil in the sleepy tourist town of Newport's Valley, NH.<br/><br/>Filming April 2024. Premiering Halloween 2024.<br/><br/>Starring Victoria Mirrer, Roger Clark, Rachel Pizzolato, Melody Kay, Sarah Nicklin, Damian Maffei, Alexis Safoyan, Cary Hite, Jay Voishnis, Phil Duran, Jamie Dufault, McKenna Parsons, Sassan Saffari, Angela Palermo, and Sean T. Ward.")
_my-cousin-rachel-124-bbc-mini-series-1983-episode-02.webp "#mycousinrachel#watchtvhttps://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ<br/>In early Victorian times, young Philip Ashley lives an idyllic life on a grand estate in rural Cornwall owned by his beloved guardian and cousin, Ambrose. When he receives word that Ambrose has suddenly married a distant cousin in Italy, and is now gravely ill, he travels to Italy; only to find his cousin is mysteriously dead and his new wife is missing.<br/>Starring:<br/>Geraldine Chaplin as Contessa Rachel Sangalletti<br/>Christopher Guard as Philip Ashley<br/>Charles Kay as Rainaldi<br/>Amanda Kirby as Louise Kendall<br/>Bert Parnaby as Seecombe<br/>John Shrapnel as Ambrose Ashley<br/>John Stratton as Nick Kendall<br/>Keith Marsh as Rev. Pascoe<br/>Michael Mellinger as Giuseppe<br/>John Bryans as Mr. Couch<br/>Esmond Knight as Sam Bates")
_my-cousin-rachel-124-bbc-mini-series-1983-episode-01.webp "#mycousinrachel#watchtvhttps://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ<br/>After becoming deathly ill, Philipe wakes up to find that Rachel is spending time with Rainaldi. Progress proceeds on the water garden, including a bridge across the steep gorge. Rachel secretly plans to return to Italy.<br/>Starring:<br/>Geraldine Chaplin as Contessa Rachel Sangalletti<br/>Christopher Guard as Philip Ashley<br/>Charles Kay as Rainaldi<br/>Amanda Kirby as Louise Kendall<br/>Bert Parnaby as Seecombe<br/>John Shrapnel as Ambrose Ashley<br/>John Stratton as Nick Kendall<br/>Keith Marsh as Rev. Pascoe<br/>Michael Mellinger as Giuseppe<br/>John Bryans as Mr. Couch<br/>Esmond Knight as Sam Bates")
_the-39ncis39-franchise39s-1000th-episode-featured-some-solid-cameos-but-i39m-really-impressed-by-how-it-connected-to-the.webp "\")
_my-cousin-rachel-124-bbc-mini-series-1983-episode-03.webp "#mycousinrachel#watchtvhttps://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ<br/>Rachel settles into the Ashley estate and spends lavishly. Another, unsigned will surfaces, as well as an accusation against Rachel. Philip has fallen under the spell of his cousin Rachel and makes a rash decision on his 25th birthday.<br/>Starring:<br/>Geraldine Chaplin as Contessa Rachel Sangalletti<br/>Christopher Guard as Philip Ashley<br/>Charles Kay as Rainaldi<br/>Amanda Kirby as Louise Kendall<br/>Bert Parnaby as Seecombe<br/>John Shrapnel as Ambrose Ashley<br/>John Stratton as Nick Kendall<br/>Keith Marsh as Rev. Pascoe<br/>Michael Mellinger as Giuseppe<br/>John Bryans as Mr. Couch<br/>Esmond Knight as Sam Bates")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
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