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_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.webp "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
⏲ 2:18:48 👁 1.1M
_barren-i-full-album.webp "ThePsyfrost")
_barren-x-yesterday-good-on-it-all-official-music-video.webp "barren")
_thar-2022-movie---anil-kapoor-harshvarrdhan-kapoor-fatima-sana-shaikh.webp "Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.")
_barren-arrows-official-music-video.webp "barren")
_promession.webp "BARREN - Topic")
_cool-water-by-hank-marvin-amp-bruce-welch-live-tv-appearence-1968-lyrics.webp "All day I've faced the barren waste<br/>Without the taste of water<br/>Cool water<br/>Old Dan and I with throats burned dry<br/>And souls that cry for water<br/>Cool, clear water<br/><br/>The nights are cool and I'm a fool<br/>Each star's a pool of water<br/>Cool water<br/>But with the dawn I'll wake and yawn<br/>And carry on to water<br/>Cool, clear water<br/><br/>Keep a-movin, Dan, dontcha listen to him, Dan<br/>He's a devil, not a man<br/>And he spreads the burning sand with water<br/>Dan, can ya see that big, green tree?<br/>Where the water's runnin' free<br/>And it's waiting there for me and you ?<br/>Water<br/>Cool, clear water<br/><br/>Dan, can ya see that big, green tree?<br/>Where the water's runnin' free<br/>And it's waiting there for me and you ?<br/>Water<br/>Cool, clear water<br/>Cool, clear water<br/><br/>writer : Bob Nolan<br/><br/>")
_unlived.webp "BARREN - Topic")
_eyes-of-the-witches124-they-toth-i-ws-a-little-baby-nt-knwin-i39m-an-agent-of-darkness-african-movies.webp "Nigerian Movies Plus")
Eyes Of The Witches| They Toth I Ws A Little Baby Nt Knwin I'm An Agent Of DARKNESS - African Movies
⏲ 1 hour 41 minutes 55 seconds 👁 315.2K
_1996-oblivion-2-hot-milf-movie-richard-joseph-paul-jackie-swanson-andrew-divoff-ifv-classic.webp "A sheriff's son returns to free his barren desert hometown from the slimy grip of an evil reptilian outlaw.")
⏲ 1:56:15 👁 75K
_nightmouring-sky.webp "BARREN - Topic")
_end-of-the-river-best-of-nollywood-full-loaded-movie-action-movie-based-on-a-true-life-story.webp "GabrielMosesTv")
⏲ 1 hour 59 minutes 14 seconds 👁 299.1K
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