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_allison-williams-amp-ebon-moss-bachrach-reunite-after-7-years.webp "It's been seven years since Allison Williams & Ebon Moss-Bachrach starred in HBO's 'Girls.' Allison and Ebon reunite to discuss everything from working with Andrew Rannells on the show to songs that were actually written for Kelly Clarkson by Jack Antonoff. See them also catch up on their latest projects including 'Fellow Travelers' and 'The Bear.' <br/><br/>Director: Claire Buss <br/>Director of Photography: Ryan Nethery<br/>Editor: Richard Trammell<br/>Talent: Allison Williams & Ebon Moss-Bachrach<br/>Producer: Madison Coffey<br/>Line Producer: Romeeka Powell<br/>Associate Producer: Lyla Neely<br/>Production Manager: Andressa Pelachi<br/>Production Coordinator: Elizabeth Hymes<br/>Talent Booker: Meredith Judkins<br/>Camera Operator: Chloe Ramos<br/>Gaffer: Niklas Moller<br/>Audio Engineer: Sean Paulsen<br/>Production Assistant: Alexis Alzamora<br/>Stylist: Allison: Cristina Ehrlich, Margaret Meg Galvin<br/>Groomer: Ebon: Melissa Dezarate<br/>Make-up Artist: Allison: Gianpaolo Ceciliato <br/>Hairstylist: Allison: Anthony Campbell <br/>Set Designer: Jeremy D. Myles<br/>Writer: Chris Murphy<br/>Post Production Supervisor: Christian Olguin<br/>Post Production Coordinator: Scout Alter<br/>Supervising Editor: Doug Larsen<br/>Assistant Editor: Andy Morell")
_fc-1997-cristina-almeida-9234senhora-da-saia-verde9234.webp "Festivais da Canção")
_cristina-almeida-sobre-la-matanza-de-atocha-nunca-he-superado-aquel-dolor9234-124-el-pas.webp "EL PAÍS")
⏲ 5 minutes 28 seconds 👁 4.2K
![England used to relish playing in front of a home crowd under Sarina Wiegman, but it is starting to feel like that magic is wearing off.<br/><br/>Defeat against France, their first loss in a qualifying fixture for 22 years, leaves them with work to do if they want to retain their European crown in Switzerland next year.<br/><br/>Only the top two teams will progress automatically from what is a tough Euro 2025 qualifying group, with England now in third place.<br/><br/>They now have to travel to France, who they play again on Tuesday, before facing Ireland at home and Sweden away in July.<br/><br/>Perhaps what is most concerning for Wiegman is that her side has taken just one point from their two home fixtures.<br/><br/>The Lionesses lacked a spark and, in truth, many looked tired after a testing season. Elisa De Almeida’s superb volley, which brought France level after Beth Mead had opened the scoring, was undoubtedly the best moment of a game lacking quality.<br/><br/>‘The result is disappointing and I think unnecessary,’ Wiegman said.<br/><br/>‘I think our performance was good for most parts of the game. The first part of course was very different than [what] we were expecting, so we had to find our feet to get started. After that we did well, we scored a goal, I think we had chances of scoring more, and then they scored from a corner. That was disappointing.<br/><br/>‘Then in the second half, I think we controlled the match more than we did in the first half. But we didn't score, we created almost no chances, so it's that pass that will create the best chance, or the touch, or the cross, in many moments we played pretty well but it's very frustrating that we then conceded a goal from a corner [set-piece], we know they're very good at that, so we wanted to do that [defend set pieces] very well, and in some moments we did but in too many moments we didn't.’<br/><br/>For the first time since February 2023, Wiegman was able to select a centre-back pairing of Leah Williamson and Millie Bright, with both players having spent time out injured in the last year.<br/><br/>But the decision not to select Alex Greenwood, who has enjoyed a fine season with Manchester City, at either center-back or left-back was puzzling.<br/><br/>Greenwood was arguably England’s best player at the World Cup last summer and her composure on the ball and passing ability was missed.<br/><br/>Things got off to a bad start for England when Mary Earps was forced off after just five minutes.<br/><br/>The goalkeeper, who was making her 50th international appearance, appeared to twist her hip after a routine pass and despite efforts to continue, was replaced by Hannah Hampton.<br/><br/>After a cagey opening, Ella Toone could have put England ahead mid-way through the half when she connected with Lauren Hemp’s cross in the box, but her effort spun just wide.<br/><br/>Hemp continued to cause problems down the left wing and, on the half-hour mark, created the opener. The forward’s cross evaded Alessia Russo and Georgia Stanway, who was perhaps fouled by Selma Bacha as she tried to connect with the deliv](https://cdn9.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KG1OkDmSwGJydpSA3qwEUnv9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_england-1-2-france-elisa-de-almeida-and-marie-antoinette-katoto-strike-to-hurt-lionesses39-hopes-of-qualifying-for-euro.webp "England used to relish playing in front of a home crowd under Sarina Wiegman, but it is starting to feel like that magic is wearing off.<br/><br/>Defeat against France, their first loss in a qualifying fixture for 22 years, leaves them with work to do if they want to retain their European crown in Switzerland next year.<br/><br/>Only the top two teams will progress automatically from what is a tough Euro 2025 qualifying group, with England now in third place.<br/><br/>They now have to travel to France, who they play again on Tuesday, before facing Ireland at home and Sweden away in July.<br/><br/>Perhaps what is most concerning for Wiegman is that her side has taken just one point from their two home fixtures.<br/><br/>The Lionesses lacked a spark and, in truth, many looked tired after a testing season. Elisa De Almeida’s superb volley, which brought France level after Beth Mead had opened the scoring, was undoubtedly the best moment of a game lacking quality.<br/><br/>‘The result is disappointing and I think unnecessary,’ Wiegman said.<br/><br/>‘I think our performance was good for most parts of the game. The first part of course was very different than [what] we were expecting, so we had to find our feet to get started. After that we did well, we scored a goal, I think we had chances of scoring more, and then they scored from a corner. That was disappointing.<br/><br/>‘Then in the second half, I think we controlled the match more than we did in the first half. But we didn't score, we created almost no chances, so it's that pass that will create the best chance, or the touch, or the cross, in many moments we played pretty well but it's very frustrating that we then conceded a goal from a corner [set-piece], we know they're very good at that, so we wanted to do that [defend set pieces] very well, and in some moments we did but in too many moments we didn't.’<br/><br/>For the first time since February 2023, Wiegman was able to select a centre-back pairing of Leah Williamson and Millie Bright, with both players having spent time out injured in the last year.<br/><br/>But the decision not to select Alex Greenwood, who has enjoyed a fine season with Manchester City, at either center-back or left-back was puzzling.<br/><br/>Greenwood was arguably England’s best player at the World Cup last summer and her composure on the ball and passing ability was missed.<br/><br/>Things got off to a bad start for England when Mary Earps was forced off after just five minutes.<br/><br/>The goalkeeper, who was making her 50th international appearance, appeared to twist her hip after a routine pass and despite efforts to continue, was replaced by Hannah Hampton.<br/><br/>After a cagey opening, Ella Toone could have put England ahead mid-way through the half when she connected with Lauren Hemp’s cross in the box, but her effort spun just wide.<br/><br/>Hemp continued to cause problems down the left wing and, on the half-hour mark, created the opener. The forward’s cross evaded Alessia Russo and Georgia Stanway, who was perhaps fouled by Selma Bacha as she tried to connect with the deliv")
_almeida-nos-abre-las-puertas-de-su-casa-en-madrid.webp "eitb")
_enlafrontera157-entrevista-a-cristina-almeida.webp "Diario Público")
_the-manila-times-empowering-msme39s-generating-opportunities.webp "The Manila Times Empowering MSME's , Generating Opportunities<br/><br/>BUILD the hustle muscle by “Empowering MSMEs, generating opportunities” at The Manila Times (TMT) microenterprise forum 2024. At Ascott Makati on May 23 from 10 a.m. to 2:30 p.m., the event is hosted by Dafort Villaseran, TMT Supplements & Special Projects editor. Moderated by Ben Kritz, TMT columnist, the talks and discussions feature Senator Loren Legarda, Trade Undersecretary Cristina Roque, Friends of Hope Managing Director Ilusion Farias, AIM Economics Associate Professor Jamil Francisco, Design Center PH Executive Director Rhea Matute, International Workplace Group Country Manager and North APAC SVP Lars Wittig, and CCPI President Jose Yulo Jr.")
_cristina-almeida-9234los-hombres-nunca-estn-gordos-sino-fuertes-las-gordas-somos-nosotras9234.webp "laSexta")
⏲ 8 minutes 58 seconds 👁 1.9K
_la-sala-43-cristina-almeida.webp "Castilla y León Televisión")
_christmas-at-the-botanics-2024-returns-with-brand-new-dazzling-light-trail.webp "Returning for its eighth year, Christmas at the Botanics 2024 is set to bring festive magic to the Royal Botanic Garden Edinburgh this winter. Visitors can look forward to a new and awe-inspiring route illuminated by installations from international artists, and the return of off-peak tickets at lower prices on selected evenings in November and December.<br/>This year’s trail will run for six weeks from 21 November to 30 December for 35 nights, transforming the city’s most beautiful visitor attraction, ‘the Botanics’. With over 95,000 visitors experiencing the spectacle last winter, this year’s trail is not to be missed with over 10 new installations.Returning crowd-pleasers include the mesmerising Fire Garden, the Christmas Cathedral which has become a fan-favourite for festive proposals, and Santa himself. <br/>New installations already confirmed for 2024 include:<br/>Robins Trail - features a sparkling flock of red, gold and bronze robins bringing good luck and messages of love at Christmas. Created by artist Cristina Ottonello.<br/>Cranes – displaying a collection of cranes flying overhead: a symbol of good fortune, longevity, hope and healing. Created by UK-based art and design collective, Studio Vertigo.<br/>Mycelium Network - visualising mushrooms, the mycelium network is brought to life through coloured strobes and pulses. Created by artist Stevie Thompson. <br/>Tickets for this year’s show are on sale now. Visitors are encouraged to book in advance to guarantee their preferred timeslot. For further ticket information, pricing, and timings, visit https://premier.ticketek.co.uk/shows/Show.aspx?sh=WESTRAIL24")
_entrevista-a-cristina-almeida.webp "Castilla y León Televisión")
_cristina-almeida-9234las-vctimas-del-franquismo-tienen-derecho-a-la-justicia9234.webp "laSexta Noticias")
⏲ 4 minutes 49 seconds 👁 990
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